Combining Philosophers

All the ideas for Lynch,MP/Glasgow,JM, Cappelen,H/Dever,J and Stephen Davies

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47 ideas

1. Philosophy / F. Analytic Philosophy / 3. Analysis of Preconditions
'Necessary' conditions are requirements, and 'sufficient' conditions are guarantees [Davies,S]
2. Reason / D. Definition / 1. Definitions
A definition of a thing gives all the requirements which add up to a guarantee of it [Davies,S]
2. Reason / D. Definition / 13. Against Definition
Feminists warn that ideologies use timeless objective definitions as a tool of repression [Davies,S]
2. Reason / E. Argument / 1. Argument
A 'teepee' argument has several mutually supporting planks to it [Cappelen/Dever]
7. Existence / C. Structure of Existence / 3. Levels of Reality
A necessary relation between fact-levels seems to be a further irreducible fact [Lynch/Glasgow]
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
If some facts 'logically supervene' on some others, they just redescribe them, adding nothing [Lynch/Glasgow]
7. Existence / D. Theories of Reality / 6. Physicalism
Nonreductive materialism says upper 'levels' depend on lower, but don't 'reduce' [Lynch/Glasgow]
The hallmark of physicalism is that each causal power has a base causal power under it [Lynch/Glasgow]
16. Persons / C. Self-Awareness / 2. Knowing the Self
Prioprioception focuses on your body parts, not on your self, or indexicality [Cappelen/Dever]
We can acquire self-knowledge with mirrors, not just with proprioception and introspection [Cappelen/Dever]
Proprioception is only immune from error if you are certain that it represents the agent [Cappelen/Dever]
17. Mind and Body / C. Functionalism / 1. Functionalism
Folk Functionalism is a Ramsification of our folk psychology [Cappelen/Dever]
18. Thought / A. Modes of Thought / 9. Indexical Thought
It is assumed that indexical content is needed to represent the perspective of perception [Cappelen/Dever]
Indexicality is not significantly connected to agency [Cappelen/Dever]
If some of our thought is tied to its context, it will be hard to communicate it [Cappelen/Dever]
All information is objective, and purely indexical information is not much use [Cappelen/Dever]
You don't remember your house interior just from an experienced viewpoint [Cappelen/Dever]
Our beliefs and desires are not organised around ourselves, but around the world [Cappelen/Dever]
19. Language / C. Assigning Meanings / 5. Fregean Semantics
Fregeans can't agree on what 'senses' are [Cappelen/Dever]
19. Language / C. Assigning Meanings / 8. Possible Worlds Semantics
Possible worlds accounts of content are notoriously coarse-grained [Cappelen/Dever]
19. Language / C. Assigning Meanings / 9. Indexical Semantics
Indexicals are just non-constant in meaning, and don't involve any special concepts [Cappelen/Dever]
Fregeans say 'I' differs in reference, so it must also differ in sense [Cappelen/Dever]
All indexicals can be expressed non-indexically [Cappelen/Dever]
19. Language / F. Communication / 5. Pragmatics / a. Contextual meaning
The basic Kaplan view is that there is truth-conditional content, and contextual character [Cappelen/Dever]
It is proposed that a huge range of linguistic items are context-sensitive [Cappelen/Dever]
20. Action / C. Motives for Action / 2. Acting on Beliefs / b. Action cognitivism
We deny that action involves some special class of beliefs [Cappelen/Dever]
21. Aesthetics / A. Aesthetic Experience / 2. Aesthetic Attitude
Aesthetic experience involves perception, but also imagination and understanding [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 3. Taste
The faculty of 'taste' was posited to explain why only some people had aesthetic appreciation [Davies,S]
21. Aesthetics / A. Aesthetic Experience / 6. The Sublime
The sublime is negative in awareness of insignificance, and positive in showing understanding [Davies,S]
21. Aesthetics / B. Nature of Art / 1. Defining Art
The idea that art forms are linked into a single concept began in the 1740s [Davies,S]
Defining art as representation or expression or form were all undermined by the avant-garde [Davies,S]
'Aesthetic functionalism' says art is what is intended to create aesthetic experiences [Davies,S]
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Music may be expressive by being 'associated' with other emotional words or events [Davies,S]
It seems unlikely that sad music expresses a composer's sadness; it takes ages to write [Davies,S]
21. Aesthetics / B. Nature of Art / 6. Art as Institution
The 'institutional' theory says art is just something appropriately placed in the 'artworld' [Davies,S]
21. Aesthetics / B. Nature of Art / 8. The Arts / a. Music
Music is too definite to be put into words (not too indefinite!) [Davies,S]
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
The title of a painting can be vital, and the artist decrees who the portrait represents [Davies,S]
We must know what the work is meant to be, to evaluate the artist's achievement [Davies,S]
Intentionalism says either meaning just is intention, or ('moderate') meaning is successful intention [Davies,S]
The meaning is given by the audience's best guess at the author's intentions [Davies,S]
21. Aesthetics / C. Artistic Issues / 2. Copies of Art
If we could perfectly clone the Mona Lisa, the original would still be special [Davies,S]
Art that is multiply instanced may require at least one instance [Davies,S]
21. Aesthetics / C. Artistic Issues / 4. Emotion in Art
Music isn't just sad because it makes the listener feel sad [Davies,S]
21. Aesthetics / C. Artistic Issues / 7. Art and Morality
Immorality may or may not be an artistic defect [Davies,S]
If the depiction of evil is glorified, that is an artistic flaw [Davies,S]
It is an artistic defect if excessive moral outrage distorts the story, and narrows our sympathies [Davies,S]
A work which seeks approval for immorality, but alienates the audience, is a failure [Davies,S]